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The re-engineered dramedy might work as a “very special episode,” but it will likely offer little allure to viewers now that they’ve seen where the show is headed.
Some of today's most popular shows are those that premiere in the summer. Robot, (a terrible name for hopefully a much better series), is described as a techno-thriller starring Christian Slater and Rami Malek. Still, most of the stabs at comedy felt forced, including cameos by John Ratzenberger and Patrick Warburton, expressing their condolences. Each scene was connected by melancholy guitar chords, working overtime to create a properly somber tone.Similarly, the underlying plot thread — in which all the characters feel guilt about their final encounters with the family’s late patriarch — was so neatly resolved (Paul, a newspaper columnist, magically addressed their concerns through a posthumously discovered column) as to feel a bit cloying.Since then, however, there has been a vague ghoulishness surrounding the show, including big viewer tune-in for the remaining Ritter episodes and ABC News’ synergistic efforts such as Diane Sawyer’s interview with the actor’s widow, Amy Yasbeck.
Predictably, if morbidly, Tuesday’s one-hour return episode drew a vast audience, bolstering ABC’s sweeps bottom line.
For the most part, Sagal pulled off the most demanding aspects of the episode, even saddled with dialogue like ‘We don’t deserve this” as she questions God about the unfairness of life. Production: Filmed in Los Angeles by Shady Acres Entertainment and Flody Co in association with Touchstone Television.